- 1. 3 monitor setup for laptop
- (Tips & Tricks)
- Like many of us, sometimes we are forced to use our laptops for audio or video editing. Even though I have a 17" screen on my ACER, it is not full HD resolution, falling somewhat short in the vertical ...
- Created on August 22, 2015
- 2. Editors Lounge Meeting Friday March 30,
- (Upcoming Events)
- ... keep our speakers in line and on their toes... Terence Curren: Colorist, Avid expert and Founder, AlphaDogs — who made a New Year's Resolution to finally embrace Final Cut Pro X… Mark Raudonis: VP of Post ...
- Created on March 01, 2012
- 3. HD Resolution Formats
- (Production Planning)
- From 720P to 8k, today's electronic filmmaker has a wide array of resolutions to choose from. Here is a brief rundown of your choices. The term High Definition encompasses common video formats as well ...
- Created on March 10, 2013
- 4. Terms of Use
- (Legal)
- ... without regard to its conflict of law principles. DISPUTE RESOLUTION Informal Negotiations To expedite resolution and control the cost of any dispute, controversy, or claim related to these Terms ...
- Created on July 23, 2020
- 5. AVID Workflows for Digital Cinema Cameras
- (Post Production)
- ... putting this white paper together and sharing it with everyone! Avid Workflows for Digital Cinema Cameras Valuable tips for a smoother end-to-end workflow With a proliferation of high-resolution ...
- Created on September 17, 2014
- 6. Importing Zoom Q4 files for editing
- (Recorders)
- ... If you read carefully, though, you will see that the upper group are high quality, but the lower group are full resolution. So if you need the maximum quality, go with the bottom group. But for most projects, ...
- Created on March 09, 2014
- 7. Image Gallery
- (RnR Multi-Cart)
- The images in this gallery are scaled to approx 700 x 600 pixels (varies depending on specific image) @ 72 dpi. Just click on the thumbnails to view the full image. Higher resolution images @ 300 dpi ...
- Created on September 12, 2013
- 8. DCP (digital cinema package)
- (Post Production)
- ... type and resolution. Mastering content at the DCI maximum bit rate of 250Mb/s, DCPs can be encoded with an even number of audio channels, up to 16. For MOS projects, silent tracks can be created for maximum ...
- Created on March 02, 2013
- 9. Project Settings and Importing for P2 Footage in Avid MC5 [WINDOWS]
- (Post Production)
- Avid Media Composer 5 is known for its advanced capabilities...and its many complexities. Here is a guide for setting your Avid MC5 (Windows version) up to import P2 video footage. Project Settings ...
- Created on August 29, 2011
- 10. Project Settings and Importing for P2 Footage in Avid MC5 [MAC]
- (Post Production)
- ... in SETTINGS tab. Go to CAPTURE and change it to whatever resolution you want/need. Note: This is ONLY for capturing your tape footage to Avid. When finished capturing, change project type back to ...
- Created on August 29, 2011
- 11. Chapter 6: Post Production in the Digital Age
- (Series - Elements of the Soundtrack)
- ... big-screen or major network broadcast. With the increased use of high resolution video formats for acquisition, we are seeing a return to the old practice of off-line and on-line editing, although editors ...
- Created on August 18, 2011