- 1. How to Perform Multi-Camera Editing in Pinnacle 12
- (Post Production)
- ... program, the folks at Pinnacle (a division of Avid) really pack a lot of features into this video editing package. However, one of the features not covered in the Studio manual is multi-camera editing. ...
- Created on August 23, 2011
- 2. Sync Playback: revisited
- (Audio Techniques)
- ... either single camera or multi-camera. First, you must create an edit master which consists of the original song combined with SMPTE timecode. The edit master is safely set aside for post production, after ...
- Created on April 11, 2013
- 3. Time Code and the High Definition Camera
- (Videography)
- ... way for Free Run shoots is to feed external code to the HD camera. This is useful in multi-camera shoots. Jam sync a Syncbox set at 23.976 to your recorder set at 29.97 ND. Attach the Syncbox to the camera ...
- Created on August 28, 2011
- 4. Shooting to Sync Playback
- (Audio Techniques)
- ... are done by recording the first take (shot live multi-camera) and then playing back that first performance track in order to shoot additional angles or takes. Technical Aspects of Shooting to Sync ...
- Created on August 25, 2011
- 5. Introduction to Timecode
- (Recorders)
- ... box, such as the Denecke SB-T (seen right), to convert the 23.976 code into 29.97. Usually, tri-level sync is only an issue of really big, multi-camera shoots. In those instances, a video engineer in a ...
- Created on August 22, 2011