- 1. Calling for the roll aka “Turn ‘Em Over” (text)
- (Audio Techniques)
- "Lights, Camera, Action." Maybe in an old Mickey Rooney film, but that's not quite how we do it on a real set. Learn the proper sequence of commands for shooting a scene, whether on sprocketed film or electronic ...
- Created on March 18, 2018
- 2. Syllabus
- (CTVA 358)
- ... video. Student Learning Outcomes (CTVA Department SLO 1, 2, 3) Intermediate/Practiced Students in this course will: Understand and articulate the history, theories and critical models of electronic ...
- Created on August 22, 2017
- 3. Syllabus
- (Sample Syllabus)
- ... video. Student Learning Outcomes (CTVA Department SLO 1, 2, 3) Intermediate/Practiced Students in this course will: Understand and articulate the history, theories and critical models of electronic ...
- Created on August 22, 2017
- 4. Film, TV, or New Media?
- (Fred's Blog )
- ... category. We find traditional non-linear documentary being taught under either the Film or Television heading. Electronic Field Production usually falls under News (hence, Television), but sometimes under ...
- Created on September 15, 2015
- 5. System 10 Wireless: First Look
- (News)
- ... electronic RFI emitters and WiFi routers (according to the department's Chief Video Engineer). The System 10 transmitted perfectly the entire length (approx 150 feet). Heading outside onto campus, on ...
- Created on November 23, 2014
- 6. No time for playback
- (Fred's Blog )
- ... is taking place with electronic cinema rather than sprocketed emulsion. All of these cameras are capable of recording audio. True, a large number of them are only capable of recording mediocre audio ...
- Created on March 19, 2014
- 7. Timecode Threads
- (Fred's Blog )
- One of the major issues facing both students as well as faculty is dealing with timecode settings for both electronic cinema and sprocketed film, especially when they are combined in the same Avid project. ...
- Created on October 03, 2013
- 8. Shot Designer software
- (Production Planning)
- ... Century Fox, MTV, Electronic Arts, Sega, Sony Pictures Imageworks, and many more. Features Not Mentioned: Integrated Director’s Viewfinder Set designer for building floor plans (with windows, doors) ...
- Created on May 09, 2013
- 9. Sync Playback: revisited
- (Audio Techniques)
- ... back in the studio. If you are planning to shoot at a true 24 fps either in film or electronic cinema, and NOT edit in 23.97 -- then you can just create your edit master and playback dupes at 24 fps ...
- Created on April 11, 2013
- 10. HD Resolution Formats
- (Production Planning)
- From 720P to 8k, today's electronic filmmaker has a wide array of resolutions to choose from. Here is a brief rundown of your choices. The term High Definition encompasses common video formats as well ...
- Created on March 10, 2013
- 11. Location Sound Bible by Ric Viers
- (Book Reviews)
- ... “Ric Viers unveils the mysteries of location recording for film and Electronic News Gathering, using technical detail seasoned with humor. As a post-production professional and dialogue editor, I kno ...
- Created on January 20, 2013
- 12. Syllabus
- (CTVA 250)
- ... during any test (unless otherwise announced); and despite the collaborative nature of the class, individuals assigned to a position should be the one completing the task. Use of computers and smart electronic ...
- Created on January 16, 2013
- 13. Audio Technica press release about Fred Ginsburg
- (Fred's Blog )
- ... renowned for the design and manufacture of microphones, wireless microphones, headphones, mixers, and electronics for the audio industry. —For more information on the complete range of Audio-Technica ...
- Created on December 09, 2012
- 14. Audio Production and Postproduction by Woody Woodhall CAS
- (Book Reviews)
- ... gear and practices required for optimal recordings and mixes. Rather than merely explain the concepts of sound wave propagation, the electronics of how sound is recorded, or the acoustics of sound reverberation ...
- Created on February 15, 2012
- 15. Recommended Links
- (Links)
- Here are some of our favorite links around the Sound Community. Woody Woodhall C.A.S., provides in-depth interviews, insightful editorials, and comprehensive articles in his blog about various facets ...
- Created on August 30, 2011
- 16. Consistency in Sound Recording
- (Sound Design)
- ... of the mics we use in order to control the relative levels of the dialogue by means of microphone positioning (distance) and angle rather than by electronically adjusting the gain (volume) at the recorder ...
- Created on August 26, 2011
- 17. ENG Mixing Panels for Production Sound
- (Mix Panels)
- ... use the line level output of the mixer plugged into line level input of the camcorder. Line level is a much stronger signal and less susceptible to electronic interference in the environment. Not all ...
- Created on August 23, 2011
- 18. Introduction to Timecode
- (Recorders)
- ... Most probably, you will be using 23.976 (aka 23.97 aka 23.98) timecode for all HD, 2K, 4K, etc. video projects; or true 24fps Native for sprocketed film (24fps) and electronic cinema (24fps). But always ...
- Created on August 22, 2011
- 19. Using a Mixing Panel for Location Dialogue
- (Mix Panels)
- ... is working solo). ENG Mixers have their role in life: Electronic News Gathering, Documentary, Cinema Verite, Run ‘N Gun. When you have to be mobile and able to move around quickly, wearing your equipment, ...
- Created on August 22, 2011
- 20. Film & Electronic Cinema Cameras
- (Phoca Download / Film & Electronic Cinema Cameras)
- Operations guides for 16mm, 35mm, and electronic cinema cameras.
- Created on January 30, 2013