- 1. Los Angeles Post Production Group - Los
- (Upcoming Events)
- ... answered, advice given, stories and tips shared and lessons learned. This supportive community inspires its members to excel in the finishing process of all forms of digital content. The LAPPG is an open ...
- Created on September 06, 2011
- 2. AVID Workflows for Digital Cinema Cameras
- (Post Production)
- AVID has released their white paper entitled AVID (Media Composer) Workflows for Digital Cinema Cameras. FilmTVsound.com considers this to be a "must read" document for every picture & sound editor. So ...
- Created on September 17, 2014
- 3. Syllabus
- (CTVA 358)
- ... discussed. Topics Pre-production Sound design Digital recorders Mixing panels Microphone Basics Booming Plant Mics Lavaliers Wireless Sync Playback Multi-track ...
- Created on August 22, 2017
- 4. Syllabus
- (Sample Syllabus)
- ... discussed. Topics Pre-production Sound design Digital recorders Mixing panels Microphone Basics Booming Plant Mics Lavaliers Wireless Sync Playback Multi-track ...
- Created on August 22, 2017
- 5. Basic Equipment Package
- (Production Planning)
- ... factors, such as the nature of the shoot, the budget, the complexity of the shots, and the preferred or required digital workflow. But for the sake of providing some sort of baseline for beginners, let’s ...
- Created on February 02, 2015
- 6. Syllabus
- (CTVA 230)
- ... intro to audio editing (Pro Tools); audio podcasts. Mixing panels; digital recorders; Microphone Basics; Booming; Plant Mics; Lavaliers; Wireless; Set Etiquette; Communications; Sync Playback; Multi-track ...
- Created on January 16, 2013
- 7. Preparing for NAB 2012
- (Fred's Blog )
- ... We will also be showing the Presonus 16.4.2 digital mixing board, connected up to the Tascam HS-P82 8+2 multitrack portable timecode recorder. Microphones hooked up to the system will include the BP4071 ...
- Created on April 06, 2012
- 8. User Guide to the Tascam HS-P82 for Film/Video Applications
- (Recorders)
- ... is master over the group. For most film/video production, you would not use this feature. The INPUT tab lets you select analog or digital input for each channel. If you are bringing in digital sources, ...
- Created on November 29, 2011
- 9. OMF Considerations
- (Post Production)
- OMF files are an essential component for audio post workflow. OMF or Open Media Framework is a file format developed by Avid Technology as a way to more conveniently transfer digital data. It was originally ...
- Created on August 28, 2011
- 10. Shooting to Sync Playback
- (Audio Techniques)
- ... accurate playback every time. That means a reliable digital recorder or laptop device. In addition, we need some way to record a signal onto the camera to allow us to know what section of the music was ...
- Created on August 25, 2011
- 11. Introduction to Timecode
- (Recorders)
- ... ask! (And the current industry standard for digital audio is 24bit/48k for any project that may be released as a DCP.) If you are recording for an SD video shoot, then use whatever mode (drop or ...
- Created on August 22, 2011
- 12. Syllabus
- (Chapman)
- ... PowerPoint, guest speakers, demonstrations, and hands-on exercises. Realistic production situations will be simulated, explored, and discussed. Topics Pre-production Sound design Digital ...
- Created on August 19, 2011
- 13. Class Projects
- (Chapman)
- ... audio projects must be turned in as digital audio files, formatted in the preferred industry formats of WAV or BWF. Video projects must be turned in as standard DVD, playable in consumer DVD players. DO ...
- Created on August 19, 2011
- 14. Class Projects
- (CTVA 358)
- ... project package should include: 1) Your Project Media The audio interview project must be turned in as digital audio files, formatted in the preferred industry formats of WAV or BWF. Always submit ...
- Created on August 19, 2011
- 15. Production Sound Class Projects
- (Sample Projects)
- ... project package should include: 1) Your Project Media The audio interview project must be turned in as digital audio files, formatted in the preferred industry formats of WAV or BWF. Always submit ...
- Created on August 19, 2011