- 1. AES Meeting Aug 30, 2011 (Los Angeles)
- (Upcoming Events)
- ... the corner of Ventura Blvd. and Coldwater Canyon). The optional pre-meeting dinner is at 7:00 PM. The topic is "Category 5e, 6, 6a for Audio Applications?" presented by Steve Lampen of Belden. ...
- Created on August 29, 2011
- 2. CAS Quarterly Magazine - free link
- (CSUN - CTVA 358)
- ... article from Devendra Cleary on vehicle work called "Cart-to-Car." I also found the message from our own Mark Ulano to be a great read. cinemaaudiosociety.org/cas-quarterly/?fb...JjO9jhkmac ...
- Created on December 08, 2018
- 3. CAS Quarterly Magazine - free link
- (Hangin' Out by Craft Services....)
- ... article from Devendra Cleary on vehicle work called "Cart-to-Car." I also found the message from our own Mark Ulano to be a great read. cinemaaudiosociety.org/cas-quarterly/?fb...JjO9jhkmac ...
- Created on December 08, 2018
- 4. For week ending Sept 13, 2019
- (CSUN - CTVA 358)
- ... boom cable, sound reports, etc. For those scenes, it will be a "video channel" with our audio recorded directly to the camcorder. You all have my phone and email.... so feel free to reach out ...
- Created on September 06, 2019
- 5. Link to CAS Seminar about Soundcarts
- (Hangin' Out by Craft Services....)
- This link comes to us from our Associate Dean at Chapman University, Michael Kowalski. Last Fall, the Cinema Audio Society held a symposium that they nicknamed, The Parade of Soundcarts. As one might ...
- Created on February 09, 2012
- 6. Re: Basic Sound Cart recommendations
- (General Questions)
- ... the Audio Technica BP4073, AT4071, and BP4051; but the Sennheiser MKH60, 70, and 40 also do the trick (albeit a lot more expensive). Add a couple of K-Tek boompoles (at least one 12 footer); a duplex ...
- Created on August 23, 2012
- 7. Professionalizing My Soundcart
- (Articles)
- A soundcart is not just a wagon for hauling around equipment; it is where you work, live, and breathe on a movie set.Trick out your cart into a mobile, well stocked, audio "village" that will steamline ...
- Created on September 12, 2013
- 8. Rock N Roller Multi-media Production Cart
- (Other Accessories)
- ... or work desk. It is where we sit, manage our recorders, video monitors, computers, and -- in the case of soundmixers -- operate our audio boards. Sound/video carts need to be portable. They have to capable ...
- Created on September 12, 2013
- 9. About the RnR Multi-Cart
- (Articles)
- ... or work desk. It is where we sit, manage our recorders, video monitors, computers, and -- in the case of soundmixers -- operate our audio boards. Sound/video carts need to be portable. They have to capable ...
- Created on September 12, 2013
- 10. Multi-Cart Hacks
- (Accessories & More)
- A soundcart is not just a wagon for hauling around equipment; it is where you work, live, and breathe on a movie set.Trick out your cart into a mobile, well stocked, audio "village" that will steamline ...
- Created on September 12, 2013
- 11. Rock N Roller Multi-Media Cart
- (Fred's Blog )
- ... of the storage room behind the Audio Technica booth at the close of each show day during NAB. Doors don't get any smaller than that, and we were even able to leave the XLR cables plugged in to the rear ...
- Created on April 25, 2012
- 12. Rock N Roller Multi-Media Cart
- (Other Accessories)
- ... soundcart through the 25 inch wide doorway (hatchway) of the storage room behind the Audio Technica booth at the close of each show day during NAB. Doors don't get any smaller than that, and we were even ...
- Created on April 25, 2012
- 13. Soundcarts
- (Other Accessories)
- ... and optional accessories to maximize their capacity. With the advent of video production and then digital audio recording -- sound mixers found that they often needed more workspace to house larger mixing ...
- Created on March 01, 2012
- 14. CAS Seminar: Production Carts
- (Other Accessories)
- The Cinema Audio Society invites you and your guests to join us at our "PARADE OF PRODUCTION SOUND CARTS SEMINAR" A seminar and display of different types of sound carts that are used for recording ...
- Created on October 03, 2011
- 15. Firearms on the Set
- (Fred's Blog )
- ... somehow magically become loaded. So we do not take that chance, and still treat that gun as if it could or might go BANG because some asshole reloaded it when we blinked. Today’s audio recorders are ...
- Created on October 25, 2021
- 16. Basic sound package for student productions
- (Production Planning)
- ... purpose “short shotgun” such as the Audio Technica 4073 or Sennheiser MKH60; a “wide angle” condenser cardioid to eliminate echo in a tight room, such as an Audio Technica 4051 or a Senn MKH40; and a “long ...
- Created on March 22, 2019
- 17. Calling for the roll aka “Turn ‘Em Over” (text)
- (Audio Techniques)
- ... of Sound Mixer. Make/model of audio recorder. Track format (such as Mono, 2-track, 4-track, 8-track, mon0 x #, stereo pair x #) Sampling and Bit Rate (such as 16 bit, 48k or 24bit/48k) Timecode ...
- Created on March 18, 2018
- 18. 1890's Sound Mixe
- (Fred's Blog )
- Sound Mixer circa 1891, working off a steam powered soundcart and recording on the latest electro/clock-gear "audio memorizer". True, there is no historical documentation of these early sound mixers, but ...
- Created on October 31, 2015
- 19. Fred Ginsburg back from NAB 2015
- (Workshops)
- It was fun being the center of attention in the Audio Technica booth during NAB 2015. Hard work, though. Brought my directors chair and barely spent any time in it. Folks kept coming up and asking questions ...
- Created on April 19, 2015
- 20. Fred Ginsburg at NAB 2015
- (Workshops)
- Once again, Fred Ginsburg CAS PhD MBKS, along with other industry experts, will be answering questions, conducting demo's, and instructing myriad workshops on behalf of Audio Technica at this year's upcoming ...
- Created on April 01, 2015
- 21. Basic Equipment Package
- (Production Planning)
- ... 85 ohms. Favorites include Sony MDR7506 and Audio Technica ATH-M50/M50x, ATH-M40x, ATH-M35, ATH-M30x. For booming, I like the K-Tek poles very much. You need at least one good pole, not less than 12 ...
- Created on February 02, 2015
- 22. Welcome to RnR Dealer Resources
- (RnR Multi-Cart)
- The Rock N Roller® Multi-Media Production Cart® Product Information Site Learn about the new Multi-Media Production Cart® Makes the ideal Sound cart, Video cart, DIT workstation Includes spacious ...
- Created on September 10, 2013
- 23. Syllabus
- (CTVA 230)
- Quick Navigation Attendance Grading Criteria Sound Stages Film Equipment Course Feedback Free Resources COURSE SYLLABUS for CTVA 230 Fundamentals of Audio Production [downloadable ...
- Created on January 16, 2013
- 24. Preparing for NAB 2012
- (Fred's Blog )
- As I write this, we are just one week away from NAB 2012. Once again, I will be at the Audio Technica booth all week, conducting free workshops a few times each day. The two scheduled topics that I ...
- Created on April 06, 2012
- 25. User Guide to the Tascam HS-P82 for Film/Video Applications
- (Recorders)
- ... to be able to record audio that occurred a few seconds BEFORE you pressed the RECORD button! Meter Setup From the MENU button, select Meter Setup. You normally should not need to make adjustments to ...
- Created on November 29, 2011
- 26. Regarding Senior Thesis Films
- (Fred's Blog )
- ... not available, how are you going to power up your gear. Don’t just assume that there will be stable generators; more times than not, the power from many generators can be erratic and cause audio hum/buzz. ...
- Created on November 12, 2011
- 27. CSUN Films FBI psa'
- (Fred's Blog )
- ... Division. I thought that it might be educational to talk about the Production Audio aspects of this shoot. But first, a brief overview of what was involved. Over the course of two days, a crew made ...
- Created on November 01, 2011
- 28. Review of LAPPG one-day workshop on sound
- (Industry Happenings)
- This past Saturday was the LAPPG seminar on production and post-production audio held at the ShowBiz Store & Cafe in Los Angeles. I instructed the production side of sound, and Woody Woodhall CAS covered ...
- Created on October 17, 2011
- 29. Introduction to Production Sound
- (Production Planning)
- ... and most other audio recording arts in that the Mixer is no longer the key figure in the operation. On the set, the Production Mixer is only one of many important craftspeople involved in the making ...
- Created on August 29, 2011
- 30. Monitoring the Soundtrack
- (Audio Techniques)
- A cameraman would never judge composition and good lighting based on what he or she hears. Likewise, a soundperson would be a fool to record audio based solely on what they see. Yet all too often, that ...
- Created on August 26, 2011
- 31. ENG Mixing Panels for Production Sound
- (Mix Panels)
- ... documentary – the mix panel serves as a remote input system for audio recording (such as the Shure FP33 at left). By this, I mean that the mixing panel is an extension of the camcorder, allowing the soundperson ...
- Created on August 23, 2011
- 32. Two-Track Mixing for Location Dialogue
- (Sound Design)
- ... to know just where all of the audio elements need to end up. For instance, out on production, it might seem logical to record a car that passes from left to right in stereo, so that you can hear the "pass ...
- Created on August 23, 2011
- 33. Introduction to Timecode
- (Recorders)
- ... an introduction and overview of the use of SMPTE timecode in conjunction with audio recorders. Types of Timecode: Non-Drop vs Drop The original timecode system is known as non-drop frame, since it ...
- Created on August 22, 2011
- 34. Using a Mixing Panel for Location Dialogue
- (Mix Panels)
- At first glimpse, a professional mixing board may appear intimidating to the novice filmmaker. But they are actually fairly simple to master, and are the heart of location audio recording. In the olde ...
- Created on August 22, 2011
- 35. Class Projects
- (CTVA 358)
- ... project package should include: 1) Your Project Media The audio interview project must be turned in as digital audio files, formatted in the preferred industry formats of WAV or BWF. Always submit ...
- Created on August 19, 2011
- 36. Production Sound Class Projects
- (Sample Projects)
- ... project package should include: 1) Your Project Media The audio interview project must be turned in as digital audio files, formatted in the preferred industry formats of WAV or BWF. Always submit ...
- Created on August 19, 2011
- 37. Rigging Wireless Microphones
- (Wireless)
- ... the set. It is more efficient to run a long length of audio cable from the receiver back to the mixing panel than to run a long antenna cable. Think in terms of clean line-of-sight. The best place ...
- Created on August 19, 2011
- 38. Chapter 5: Proper Equipment
- (Series - Preparing for Your Shoot)
- ... shotguns from Audio Technica, Sennheiser, Sanken, Schoeps, and Neumann. In contrast, I would not choose as my first choice in production microphones any of the fine electret condenser systems on the ...
- Created on August 18, 2011
- 39. Workshops & Seminars
- (Workshops)
- ... and music videos. One of those people who have been there and done that! Fred is a member of the Cinema Audio Society (former Executive Board Member); the British Kinematograph Sound & Television Society ...
- Created on August 17, 2011
- 40. Chapter 7: Defining Equipment Packages
- (Series - Preparing for Your Shoot)
- ... Mic Channel This is the video equivalent of the (film) one-mic channel. Since audio in video is recorded on the camcorder instead of a stand-alone audio recorder, the package does not always include ...
- Created on August 16, 2011
- 41. Samy's Camera - Los Angele
- (Workshops)
- ... presentations and answer questions from attendees. Dr. Fred Ginsburg CAS will be on hand, representing Audio Technica microphones for video and HDSLR production. His presentation will include a fully ...
- Created on August 01, 2011