- 1. Why is Time Of Day (TOD) timecode used b
- (General Questions)
- Why is TOD timecode used by sound? Why do they JAM SYNC TOD timecode from sound recorder to slate? How often should we Jam sync? TOD is the easiest way to insure that everyone on the set has access to ...
- Created on March 19, 2014
- 2. Terms of Use
- (Legal)
- ... FilmTVsound.com ("FilmTVsound.com", “we”, “us”, or “our”), concerning your access to and use of this website, https://filmtvsound.com (hereafter referred to as "the Site") as well as any other media form, ...
- Created on July 23, 2020
- 3. Do you really need a mixing panel?
- (Mix Panels)
- ... CONTROL of that microphone. Level controls are coarse and physically tiny on most prosumer recorders, and pretty much inaccessible on most camcorders while you are shooting. If you were able to access ...
- Created on June 25, 2019
- 4. Active Shooter scare at CSUN
- (Editorial)
- ... So we followed protocol, and secured ourselves in the soundstage (where our class takes place) by locking all of the access doors to the stage. They say that there are no atheists in foxholes! The media ...
- Created on February 19, 2018
- 5. Pro Tools version 12.4 - Warning
- (News)
- ... not complete the Open Session command because Access violation occurred, unable to read location: 0x0000000000000000 Pro Tools would open some of my stored sessions, but not all of them. I tried a few ...
- Created on January 23, 2016
- 6. User Guide to the Tascam HS-P82 for Film/Video Applications
- (Recorders)
- ... the layout of the touchscreen software, you will find that many of the same settings are accessible from multiple screens. In the field, this advantage can really streamline your workflow. Powering Up ...
- Created on November 29, 2011
- 7. Multi-track Recording for Film & Video
- (Recorders)
- ... any suitable external mixing console, or utilizing a dedicated fader controller provided by the recorder manufacturer. When the dedicated fader controller accessory is used, these recorders are able ...
- Created on August 25, 2011
- 8. Introduction to Timecode
- (Recorders)
- ... timecode in the camera cannot be accessed -- then you should use a timecode slate so that the editor can line up the picture with the audio. When shooting in film, a timecode slate should be used for ...
- Created on August 22, 2011
- 9. Class Projects
- (Chapman)
- ... in your descriptions. List every item by (correct) make and model that you will be packing. Pay particular detail to the small adapters and accessories that you will need. Describe all adapter cables by ...
- Created on August 19, 2011
- 10. Class Projects
- (CTVA 358)
- ... if access protected. (Note that this is the preferred and best method for submitting video projects.) All recorded projects MUST include a header ID and reference tone. Video projects should include ...
- Created on August 19, 2011
- 11. Production Sound Class Projects
- (Sample Projects)
- ... if access protected. (Note that this is the preferred and best method for submitting video projects.) All recorded projects MUST include a header ID and reference tone. Video projects should include ...
- Created on August 19, 2011
- 12. Chapter 6: Preparing Your Gear
- (Series - Preparing for Your Shoot)
- ... microphone, every accessory, every adapter cable, and every mic line must be checked with the same care and concern that a skydiver employs with his parachute. Do not assume that because the equipment ...
- Created on August 17, 2011