- 1. For week ending Oct 11, 2017
- (CSUN - CTVA 230)
- ... so that you can read aloud the Header ID: Production: Airport Date: Oct 11, 2017 Location: Manzanita Foley stage Mixer: (your name) Format: Recording dual mono, direct to video. 24bit/48k. Timecode: 23.97 Reference ...
- Created on October 08, 2017
- 2. Interview with a Foley Artist
- (Post Production)
- I have the pleasure of sharing this great interview with Monique Reymond a top Hollywood Foley artist. Monique was nominated for a prime time Emmy award for her work on the TV series "Survivor" (yes -- ...
- Created on August 29, 2011
- 3. Foley on a Shoestring Budget
- (Post Production)
- The post-production process known as "Foley" refers to the art of recording "live" sync sound effects to picture. It is akin to looping the dialogue, but instead of recording the actors performing their ...
- Created on August 29, 2011
- 4. FREE professional editing software
- (Post Production)
- ... used by the professional industry. The software includes video editing, color correction (which DaVinci is famous for), video effects, full audio editing/mixing/ADR/Foley, and export. For PC or MAC. There ...
- Created on August 03, 2018
- 5. Using your production recording tracks strategically
- (Recorders)
- ... elements. The editors would augment these original tracks with ADR, Foley, sound effects, backgrounds, and so on. What began as one production track might evolve into over 100 separate tracks going in ...
- Created on March 18, 2018
- 6. Basic Audio for Indie Project
- (Production Planning)
- ... then turning them up if needed. Just be sure your sounds don’t go above 0 decibels, because they will be too hard to fix. Foley is something you should always do far away from the actual set. Foley is ...
- Created on July 14, 2016
- 7. Workshops: UFVA
- (Workshops)
- ... with DCP, and the Avid to ProTools Workflow. Another audio topic in the conference that I took part in was the Foley workshop (presented by David Bondelevich CAS and Matt Meyer). On Saturday, I was pressed ...
- Created on August 13, 2013
- 8. Location Sound Bible by Ric Viers
- (Book Reviews)
- ... are wonderful and can be used in the classroom as well as for individual practice. Viers really knows how to make the process uncomplicated and logical.” Vanessa Ament-Gjenvick, Author of "The Foley Grail" ...
- Created on January 20, 2013
- 9. Syllabus
- (CTVA 230)
- ... MEETS: Tues 11am to 1:45pm @ MZ 295 computer lab 2nd floor Thurs: 11am to 1:45pm @ MZ 160a Foley/ADR studio 1st floor audio suites OFFICE HOURS: Being part-time faculty, ...
- Created on January 16, 2013
- 10. Sound Effects Bible by Ric Viers
- (Book Reviews)
- ... book on the black art of Foley and sound effects. This definitive book covers microphone selection, field recorders, the ABCs of digital audio, understanding digital audio workstations, building your own ...
- Created on February 15, 2012
- 11. Sound for Surfing
- (Production Advice)
- ... Forget any dialogue or subtle sound effects. So we would aim some mics towards the surf, and record what we could. Back at the studio, we would Foley the subtle sound effects, such as paddling into place, ...
- Created on September 10, 2011
- 12. Multi-track Recording for Film & Video
- (Recorders)
- ... dialogue was deemed unusable, then ADR would be ordered. Ditto for sound effects and Foley. Two Track as opposed to Stereo It wasn’t until the early 1980’s that we began using two-track on location ...
- Created on August 25, 2011
- 13. Chapter 2: Elements of the Soundtrack
- (Series - Elements of the Soundtrack)
- ... created like a musical chord, built up from a number of simpler sounds (all of which may have also been modified). Finally, many sound effects are ‘dubbed’ in, by means of a process known as “Foley”. ...
- Created on August 22, 2011
- 14. Chapter 4: Post Production, Analog
- (Series - Elements of the Soundtrack)
- ... including the creation of ambient backgrounds. Foley was recorded for the footsteps, body movements, and some sync sound effects. Narration tracks got laid in, as needed. Checkerboarding was used so ...
- Created on August 20, 2011
- 15. Syllabus
- (Chapman)
- ... (818) 892-9236 fax This email address is being protected from spambots. You need JavaScript enabled to view it. or This email address is being protected from spambots. You need JavaScript enabled to view it. MEETS: Foley Stage,Tuesdays 1:00-3:45 pm TEXTS Online multimedia coursebook: Craft of Production Sound, (www.FilmTVsound.com) ...
- Created on August 19, 2011
- 16. Production Sound Reading List
- (College Classes)
- ... for DSLR, camcorders, etc. Multi-track Recording for Film/Video TASCAM HS-P82 End User Guide for Film/Video v1.2 Establishing Sync Playback Sync Playback Revisited Foley on a Budget Interview ...
- Created on August 19, 2011
- 17. Reading List
- (CTVA 358)
- ... Sync Playback Revisited Foley on a Budget Interview with a Foley Artist Audio Stage Boxes and Snakes Adding Phone Conversations Tips for working Film Festivals Regarding Student Internships ...
- Created on August 19, 2011
- 18. Audio Fundamentals Reading List
- (CTVA 230)
- ... TASCAM HS-P82 End User Guide for Film/Video v1.2 Establishing Sync Playback Sync Playback Revisited Foley on a Budget Interview with a Foley Artist Audio Stage Boxes and Snakes Adding Phone ...
- Created on August 19, 2011
- 19. Reading List
- (Education)
- ... Sync Playback Revisited Foley on a Budget Interview with a Foley Artist Audio Stage Boxes and Snakes Adding Phone Conversations Tips for working Film Festivals Regarding Student Internships ...
- Created on August 19, 2011
- 20. Chapter 5: Analog Film Mix
- (Series - Elements of the Soundtrack)
- ... just two or three. Similarly, reduce forty or so sound effects and Foley reels to just three. And so on. Today's style of mixing has evolved so that mixing consoles (or mixing software) supports the concept ...
- Created on August 19, 2011
- 21. Chapter 6: Post Production in the Digital Age
- (Series - Elements of the Soundtrack)
- ... onto the multiple tracks with frame accuracy. If needed, A.D.R. and Foley can also be recorded using special software programs (or external recorders equipped with time code). After all of the individual ...
- Created on August 18, 2011
- 22. Chapter 7: In Summary
- (Series - Elements of the Soundtrack)
- ... later during editing, or they can be created & synthesized. Footsteps and other sync sound effects can be recorded in a Foley session. Dialogue consists of either lip-synch or wild lines. It can be recorded ...
- Created on August 17, 2011