- 1. DCP (digital cinema package)
- (Post Production)
- ... acceptance and utilization of DCP hard drives and thumb drives for mainstream theatrical distribution, festival submission, large venue screenings, and transcoding down to DVD and smaller digital outlets. ...
- Created on March 02, 2013
- 2. Timecode Threads
- (Fred's Blog )
- ... Sound By Fred Ginsburg (Oct 2013) Now that we are finishing as Digital Cinema Packages (DCP), it is important to adhere to using 24bit/48k as your location recording format. Timecode should be set ...
- Created on October 03, 2013
- 3. Workshops: UFVA
- (Workshops)
- ... with DCP, and the Avid to ProTools Workflow. Another audio topic in the conference that I took part in was the Foley workshop (presented by David Bondelevich CAS and Matt Meyer). On Saturday, I was pressed ...
- Created on August 13, 2013
- 4. Elmers Guide to Motion Picture Sound Formats
- (Post Production)
- ... (Left, Center, Right, Left & Rear surround, Right & Rear Surround) and one more monaural track up in the ceiling itself (aka the VOG or "voice of God" track). The Auro system is compatible with DCP 5.1 ...
- Created on January 08, 2013
- 5. Introduction to Timecode
- (Recorders)
- ... ask! (And the current industry standard for digital audio is 24bit/48k for any project that may be released as a DCP.) If you are recording for an SD video shoot, then use whatever mode (drop or ...
- Created on August 22, 2011